"You don't mean to say you've brought them all?" he cried eagerly. "The whole lot. Fourteen," Mackwith replied. "Glad I just caught you before you left." Esdaile and his family were leaving town that morning for some months on the Yorkshire Coast, and it was this departure that was the occasion of the farewell breakfast. The three of us carried the recovered canvases through the small annexe, where the breakfast-table was already laid, and into the large studio beyond. There we stood admiring them as they leaned, framed and unframed, against easels and along the walls. No doubt you remember Esdaile's paintings of that period--the gay white and gray of his tumultuous skies, the splash and glitter of his pools and fountains, the crumbling wallflowered masonry of his twentieth-century _fêtes-champêtre_. There is nothing psychical or philosophic about them. He simply has that far rarer possession, an eye in his head to see straight with. "Well, which of 'em are you going to have for yourself, just by way of thank-you, Billy?" the painter asked. "Any you like; I owe you the best of them and more.... And of course here comes Hubbard. Always does blow in just as things are being given away, if it's only a pink gin. How are you, Cecil?" The new-comer wore aiguillettes and the cuff-rings of a Commander, R.N. He was a comparatively new friend of mine, but for two years off and on had been a shipmate of Esdaile's, and I liked the look of his honest red face and four-square and blocklike figure. We turned to the pictures again. I think their beauties were largely thrown away on Hubbard. Somebody ought to have told him that their buying-in meant a good thousand pounds in Esdaile's pocket. Then he would have looked at them in quite a different manner. In the middle of the inspection Joan Merrow's white frock and buttercupped hat appeared in the doorway, and we were bidden to come in to breakfast. Monty Rooke and Mrs. Cunningham had just arrived, which made our party complete. The little recess in which we breakfasted was filled with the sunlight reflected from the garden outside. Everything in it--the napkins and fruit and chafing-dishes on the table, the spring flowers in the bowls, the few chosen objects on the buff-washed walls, the showery festoon of the chandelier overhead--had the soft irradiation of a face seen under a parasol. Little shimmers of light, like love-making butterflies, danced here and there whenever glasses or carafes were moved, and the stretches of shining floor almost looked as if trout might have lurked beneath them. And where the tall French windows stood wide open the light seemed to be focused as if by a burning-glass on the two little Esdaile boys who played beneath the mulberry that rose above the studio roof. I don't suppose the whole of Chelsea could have shown a merrier breakfast-party than we made that May morning. For, in addition to our host's new Associateship and those fourteen wandering pictures safely back home again, we had a further occasion for light-heartedness that I haven't mentioned yet. This was the wedding, to take place that day week, of Mrs. Cunningham and Monty Rooke. Philip was generously lending them his house and studio for the summer. Monty we had all known for years, but Mrs. Cunningham I for one set eyes on for the first time that morning. Later I got a much more definite impression of her. For the present I noticed only her slender and beautiful black-chiffon-covered arms, the large restless dark eyes that seemed...