claims of body and of mind, and immortalized this result in its art. This is my first and perhaps my chief justification for the length of this volume. My second is that there is no existing work in English on the subject, nor even in the extensive literature which Germany has produced is there any work of quite the same scope. The _Gymnastik u. Agonistik_ of J. H. Krause is a masterpiece of erudition, accuracy and judgment. But this work was published in 1841, and since that date excavation and the progress of archaeology have brought to light such a mass of new material as to change entirely our outlook on the past. The excavations at Olympia have for the first time enabled us to trace the whole history of the festival and to treat Greek athletics historically. In the first part of this work I have endeavoured to write a continuous history of Greek athletics. The attempt is an ambitious one, perhaps too ambitious for one whose occupation has left him little time for continuous study. The long period covered involves a multitude of difficult and disputed problems, which it is impossible within the limits of this work to discuss fully. In all these cases I have endeavoured to sift the evidence for myself, and to form an independent judgment. Many of the details may be obscure, and many of my conclusions are doubtless open to criticism. Yet the general outline of the story is clear, and I venture to think that it has a more than passing interest and importance. The second part is more technical, though it may perhaps appeal to those who are actively interested in athletics. It consists of a number of chapters, each complete in itself, dealing with the details of Greek athletics. Many of the chapters are taken from articles published by me in the _Journal of Hellenic Studies_. The chapters on the Stadium, the Gymnasium, the Hippodrome and Boxing are entirely new. In the first two of these chapters will be found the latest results of excavations at Delphi, Epidaurus, Priene and Pergamum, results which are not readily accessible to the English reader. The arrangement of the work has involved a certain amount of repetition, and the introduction separately and in their historical order of certain details which it would be clearer perhaps, and certainly more picturesque, to group together. But it seemed to me worth while to sacrifice something of clearness and effect in order to bring out the historical aspect of the subject, an aspect which is completely obscured in most of our text-books. Further, I have endeavoured clearly to distinguish between what is certain and what is conjectural. The words “perhaps” and “possibly” recur, I am only too conscious, with monotonous persistence. But where the evidence is too inadequate or too contradictory to admit of certainty, the only safe and honest course is to confess ignorance and to hope that the discovery of some new manuscript may dispel our doubts. The neglect of this distinction between the conjectural and the certain has been a fertile source of error. Great importance has been attached to the evidence of contemporary monuments, and illustrations have been given of the principal monuments described. In their selection preference has been given _ceteris paribus_ to objects in the British Museum, because these are likely to be most accessible to the majority of readers. In the case of vases the interpretation often depends on the composition, and whole scenes have as far as possible been reproduced rather than single figures. Museum references are appended to the...