Diana of the Crossways — Volume 3 — Reading Companion

(0 User reviews)   51
Meredith, George, 1828-1909 Project Gutenberg 2003 Not confirmed
Psychological fiction; Married women -- Fiction; Political fiction; Politicians -- Fiction; Great Britain -- Fiction; Separated people -- Fiction; Scandals -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 35,287
Reading time 154 min
Text sections 4

For Diana of the Crossways — Volume 3 — Reading Companion, the stored edition analysis reports 35,287 words, 2 hr 34 min estimated reading time, and 4 detected text sections.

The text analysis averages about 14.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Psychological fiction,” connecting these edition facts with the source record’s subject description.

This editorial note examines how Volume 3 of George Meredith's novel uses Diana's literary success, her guarded correspondence, and the charged interactions with Percy Dacier to shape a first reading, focusing on the interplay between public persona and private vulnerability.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

The thought of it makes me tigrish.

'A new pianist playing his own pieces (at Lady Singleby's concert) has given me exquisite pleasure' and set me composing songs--not to his music, which could be rendered only by sylphs moving to "soft recorders" in the humour of wildness, languor, bewitching caprices, giving a new sense to melody. How I wish you had been with me to hear him! It was the most AEolian thing ever caught from a night-breeze by the soul of a poet.

'But do not suppose me having headlong tendencies to the melting mood. (The above, by the way, is a Pole settled in Paris, and he is to be introduced to me at Lady Pennon's.)--What do you say to my being invited by Mr. Whitmonby to aid him in writing leading articles for the paper he is going to conduct! "write as you talk and it will do," he says. I am choosing my themes. To write--of politics--as I talk, seems to me like an effort to jump away from my shadow. The black dog of consciousness declines to be shaken off. If some one commanded me to talk as I write! I suspect it would be a way of winding me up to a sharp critical pitch rapidly.

'Not good news of Lord D. I have had messages. Mr. Dacier conceals his alarm. The PRINCESS gave great gratification. She did me her best service there. Is it not cruel that the interdict of the censor should force me to depend for information upon such scraps as I get from a gentleman passing my habitation on his way to the House? And he is not, he never has been, sympathetic in that direction. He sees my grief, and assumes an undertakerly air, with some notion of acting in concert, one supposes little imagining how I revolt from that crape-hatband formalism of sorrow!

'One word of her we call our inner I. I am not drawing upon her resources for my daily needs; not wasting her at all, I trust; certainly not walling her up, to deafen her voice. It would be to fall away from you. She bids me sign myself, my beloved, ever, ever your Tony.'

The letter had every outward show of sincereness in expression, and was endowed to wear that appearance by the writer's impulse to protest with so resolute a vigour as to delude herself. Lady Dunstane heard of Mr. Dacier's novel attendance at concerts. The world made a note of it; for the gentleman was notoriously without ear for music.

Diana's comparison of her hours of incessant writing to her walks under the dawn at Lugano, her boast of the similarity of her delight in both, deluded her uncorrupted conscience to believe that she was now spiritually as free: as in that fair season of the new spring in her veins. She, was not an investigating physician, nor was Lady Dunstane, otherwise they would have examined the material points of her conduct-- indicators of the spiritual secret always. What are the patient's acts? The patient's, mind was projected too far beyond them to see the fore finger they stretched at her; and the friend's was not that of a prying doctor on the look out for betraying symptoms. Lady Dunstane did ask herself why Tony should have incurred the burden of a costly household-- a very costly: Sir Lukin had been at one of Tony's little' dinners: but her wish to meet the world on equal terms, after a long dependency, accounted for it in seeming to excuse. The guests on the occasion were Lady Pennon. Lady Singleby, Mr. Whitmonby, Mr. Percy Dacier, Mr. Tonans; --'Some other woman,' Sir Lukin said, and himself. He reported the cookery as matching the: conversation, and that was princely; the wines not less--an extraordinary fact to note of a woman. But to hear Whitmonby and Diana Warwick! How he told a story, neat as a postman's knock, and she tipped it with a remark and ran to a second, drawing in Lady Pennon, and then Dacier, 'and me!' cried Sir Lukin; 'she made us all toss the ball from hand to hand, and all talk up to the mark; and none of us noticed that we all went together to the drawing-room, where we talked for another hour, and broke up fresher than we began.'

'That break between the men and the women after dinner was Tony's aversion, and I am glad she has instituted a change,' said Lady Dunstane.

She heard also from Redworth of the unexampled concert of the guests at Mrs. Warwick's dinner parties. He had met on one occasion the Esquarts, the Pettigrews, Mr. Percy Dacier, and a Miss Paynham. Redworth had not a word to say of the expensive household. Whatever Mrs. Warwick did was evidently good to him. On another evening the party was composed of Lady Pennon, Lord Larrian, Miss Paynham, a clever Mrs. Wollasley, Mr. Henry Wilmers, and again Mr. Percy Dacier.

When Diana came to Copsley, Lady Dunstane remarked on the recurrence of the name of Miss Paynham in the list of her guests.

'And Mr. Percy Dacier's too,' said Diana, smiling. 'They are invited each for specific reasons. It pleases Lord Dannisburgh to hear that a way has been found to enliven his nephew; and my little dinners are effective, I think. He wakes. Yesterday evening he capped flying jests with Mr. Sullivan Smith. But you speak of Miss. Paynham.' Diana lowered her voice on half a dozen syllables, till the half-tones dropped into her steady look. 'You approve, Emmy?'

The answer was: 'I do--true or not.'

'Between us two, dear, I fear! . . . In either case, she has been badly used. Society is big engine enough to protect itself. I incline with British juries to do rough justice to the victims. She has neither father nor brother. I have had no confidences: but it wears the look of a cowardly business. With two words in his ear, I could arm an Irishman to do some work of chastisement: he would select the rascal's necktie for a cause of quarrel and lords have to stand their ground as well as commoners. They measure the same number of feet when stretched their length. However, vengeance with the heavens! though they seem tardy. Lady Pennon has been very kind about it; and the Esquarts invite her to Lockton. Shoulder to shoulder, the tide may be stemmed.'

'She would have gone under, but for you, dear Tony!' said Emma' folding arms round her darling's neck anal kissing her. 'Bring her here some day.'

Diana did not promise it. She had her vision of Sir Lukin in his fit of lunacy.

'I am too weak for London now,' Emma resumed. 'I should like to be useful. Is she pleasant?'

'Sprightly by nature. She has worn herself with fretting.'

'Then bring her to stay with me, if I cannot keep you. She will talk of you to me.'

'I will bring her for a couple of days,' Diana said. 'I am too busy to remain longer. She paints portraits to amuse herself. She ought to be pushed, wherever she is received about London, while the season is warm. One season will suffice to establish her. She is pretty, near upon six and twenty: foolish, of course:--she pays for having had a romantic head. Heavy payment, Emmy! I drive at laws, but hers is an instance of the creatures wanting simple human kindness.'

'The good law will come with a better civilization; but before society can be civilized it has to be debarbarized,' Emma remarked, and Diana sighed over the task and the truism.

I should have said in younger days, because it will not look plainly on our nature and try to reconcile it with our conditions. But now I see that the sin is cowardice. The more I know of the world the more clearly I perceive that its top and bottom sin is cowardice, physically and morally alike. Lord Larrian owns to there being few heroes in an army. We must fawn in society. What is the meaning of that dread of one example of tolerance? O my dear! let us give it the right name. Society is the best thing we have, but it is a crazy vessel worked by a crew that formerly practised piracy, and now, in expiation, professes piety, fearful of a discovered Omnipotence, which is in the image of themselves and captain. Their old habits are not quite abandoned, and their new one is used as a lash to whip the exposed of us for a propitiation of the capricious potentate whom they worship in the place of the true God.'

Lady Dunstane sniffed. 'I smell the leading article.'

Diana joined with her smile, 'No, the style is rather different.'

'Have you not got into a trick of composing in speaking, at times?'

Diana confessed, 'I think I have at times. Perhaps the daily writing of all kinds and the nightly talking . . . I may be getting strained.'

'No, Tony; but longer visits in the country to me would refresh you. I miss your lighter touches. London is a school, but, you know it, not a school for comedy nor for philosophy; that is gathered on my hills, with London distantly in view, and then occasional descents on it well digested.'

'I wonder whether it is affecting me !' said Diana, musing. 'A metropolitan hack! and while thinking myself free, thrice harnessed; and all my fun gone. Am I really as dull as a tract, my dear? I must be, or I should be proving the contrary instead of asking. My pitfall is to fancy I have powers equal to the first look-out of the eyes of the. morning. Enough of me. We talked of Mary Paynham. If only some right good man would marry her!'

Lady Dunstane guessed at the right good man in Diana's mind. 'Do you bring them together?'

Diana nodded, and then shook doleful negatives to signify no hope.

'None whatever--if we mean the same person,' said Lady Dunstane, bethinking her, in the spirit of wrath she felt at such a scheme being planned by Diana to snare the right good man, that instead of her own true lover Redworth, it might be only Percy Dacier. So filmy of mere sensations are these little ideas as they flit in converse, that she did not reflect on her friend's ignorance of Redworth's love of her, or on the unlikely choice of one in Dacier's high station to reinstate a damsel.

They did not name the person.

'Passing the instance, which is cruel, I will be just to society thus far,' said Diana. 'I was in a boat at Richmond last week, and Leander was revelling along the mud-banks, and took it into his head to swim out to me, and I was moved to take him on board. The ladies in the boat objected, for he was not only wet but very muddy. I was forced to own that their objections were reasonable. My sentimental humaneness had no argument against muslin dresses, though my dear dog's eyes appealed pathetically, and he would keep swimming after us. The analogy excuses the world for protecting itself in extreme cases; nothing, nothing excuses its insensibility to cases which may be pleaded. You see the pirate crew turned pious-ferocious in sanctity.' She added, half laughing: 'I am reminded by the boat, I have unveiled my anonymous critic, and had a woeful disappointment. He wrote like a veteran; he is not much more than a boy. I received a volume of verse, and a few lines begging my acceptance. I fancied I knew the writing, and wrote asking him whether I had not to thank him, and inviting him to call. He seems a nice lad of about two and twenty, mad for literature; and he must have talent. Arthur Rhodes by name. I may have a chance of helping him. He was an articled clerk of Mr. Braddock's, the same who valiantly came to my rescue once. He was with us in the boat.'

'Bring him to me some day,' said Lady Dunstane.

Miss Paynham's visit to Copsley was arranged, and it turned out a failure. The poor young lady came in a flutter, thinking that the friend of Mrs. Warwick would expect her to discourse cleverly. She attempted it, to Diana's amazement. Lady Dunstane's opposingly corresponding stillness provoked Miss Paynham to expatiate, for she had sprightliness and some mental reserves of the common order. Clearly, Lady Dunstane mused while listening amiably, Tony never could have designed this gabbler for the mate of Thomas Redworth!

Percy Dacier seemed to her the more likely one, in that light, and she thought so still, after Sir Lukin had introduced him at Copsley for a couple of days of the hunting season. Tony's manner with him suggested it; she had a dash of leadership. They were not intimate in look or tongue.

But Percy Dacier also was too good for Miss Paynham, if that was Tony's plan for him, Lady Dunstane thought, with the relentlessness of an invalid and recluse's distaste. An aspect of penitence she had not demanded, but the silly gabbier under a stigma she could not pardon.

Her opinion of Miss Paynham was diffused in her silence.

Speaking of Mr. Dacier, she remarked, 'As you say of him, Tony, he can brighten, and when you give him a chance he is entertaining. He has fine gifts. If I were a member of his family I should beat about for a match for him. He strikes me as one of the young men who would do better married.'

'He is doing very well, but the wonder is that he doesn't marry,' said Diana. 'He ought to be engaged. Lady Esquart told me that he was. A Miss Asper--great heiress; and the Daciers want money. However, there it is.'

Not many weeks later Diana could not have spoken of Mr. Percy Dacier with this air of indifference without corruption of her inward guide.

A DRIVE IN SUNLIGHT AND A DRIVE IN MOONLIGHT

The fatal time to come for her was in the Summer of that year.

Emma had written her a letter of unwonted bright spirits, contrasting strangely with an inexplicable oppression of her own that led her to imagine her recent placid life the pause before thunder, and to sharp the mood of her solitary friend she flew to Copsley, finding Sir Lukin absent, as usual. They drove out immediately after breakfast, on one of those high mornings of the bared bosom of June when distances are given to our eyes, and a soft air fondles leaf and grass-blade, and beauty and peace are overhead, reflected, if we will. Rain had fallen in the night. Here and there hung a milk-white cloud with folded sail. The South-west left it in its bay of blue, and breathed below. At moments the fresh scent of herb and mould swung richly in warmth. The young beech-leaves glittered, pools of rain-water made the roadways laugh, the grass-banks under hedges rolled their interwoven weeds in cascades of many-shaded green to right and left of the pair of dappled ponies, and a squirrel crossed ahead, a lark went up a little way to ease his heart, closing his wings when the burst was over, startled black-birds, darting with a clamour like a broken cockcrow, looped the wayside woods from hazel to oak-scrub; short flights, quick spirts everywhere, steady sunshine above.

Diana held the reins. The whip was an ornament, as the plume of feathers to the general officer. Lady Dunstane's ponies were a present from Redworth, who always chose the pick of the land for his gifts. They joyed in their trot, and were the very love-birds of the breed for their pleasure of going together, so like that Diana called them the Dromios. Through an old gravel-cutting a gateway led to the turf of the down, springy turf bordered on a long line, clear as a racecourse, by golden gorse covers, and leftward over the gorse the dark ridge of the fir and heath country ran companionably to the Southwest, the valley between, with undulations of wood and meadow sunned or shaded, clumps, mounds, promontories, away to broad spaces of tillage banked by wooded hills, and dimmer beyond and farther, the faintest shadowiness of heights, as a veil to the illimitable. Yews, junipers, radiant beeches, and gleams of the service-tree or the white-beam spotted the semicircle of swelling green Down black and silver. The sun in the valley sharpened his beams on squares of buttercups, and made a pond a diamond.

'You see, Tony,' Emma said, for a comment on the scene, 'I could envy Italy for having you, more than you for being in Italy.'

'Feature and colour!' said Diana. 'You have them here, and on a scale that one can embrace. I should like to build a hut on this point, and wait for such a day to return. It brings me to life.' She lifted her eyelids on her friend's worn sweet face, and knowing her this friend up to death, past it in her hopes, she said bravely, 'It is the Emma of days and scenes to me! It helps me to forget myself, as I do when I think of you, dearest; but the subject has latterly been haunting me, I don't know why, and ominously, as if my nature were about to horrify my soul. But I am not sentimentalizing, you are really this day and scene in my heart.'

Emma smiled confidingly. She spoke her reflection: 'The heart must be troubled a little to have the thought. The flower I gather here tells me that we may be happy in privation and suffering if simply we can accept beauty. I won't say expel the passions, but keep passion sober, a trotter in harness.'

Diana caressed the ponies' heads with the droop of her whip: 'I don't think I know him!' she said.

Between sincerity and a suspicion so cloaked and dull that she did not feel it to be the opposite of candour, she fancied she was passionless because she could accept the visible beauty, which was Emma's prescription and test; and she forced herself to make much of it, cling to it, devour it; with envy of Emma's contemplative happiness, through whose grave mind she tried to get to the peace in it, imagining that she succeeded. The cloaked and dull suspicion weighed within her nevertheless. She took it for a mania to speculate on herself. There are states of the crimson blood when the keenest wits are childish, notably in great-hearted women aiming at the majesty of their sex and fearful of confounding it by the look direct and the downright word. Yet her nature compelled her inwardly to phrase the sentence: 'Emma is a wife!' The character of her husband was not considered, nor was the meaning of the exclamation pursued.

They drove through the gorse into wild land of heath and flowering hawthorn, and along by tracts of yew and juniper to another point, jutting on a furzy sand-mound, rich with the mild splendour of English scenery, which Emma stamped on her friend's mind by saying: 'A cripple has little to envy in you who can fly when she has feasts like these at her doors.'

They had an inclination to boast on the drive home of the solitude they had enjoyed; and just then, as the road in the wood wound under great beeches, they beheld a London hat. The hat was plucked from its head. A clear-faced youth, rather flushed, dusty at the legs, addressed Diana.

'Mr. Rhodes!' she said, not discouragingly.

She was petitioned to excuse him; he thought she would wish to hear the news in town last night as early as possible; he hesitated and murmured it.

Diana turned to Emma: 'Lord Dannisburgh!' her paleness told the rest.

Hearing from Mr. Rhodes that he had walked the distance from town, and had been to Copsley, Lady Dunstane invited him to follow the pony- carriage thither, where he was fed and refreshed by a tea-breakfast, as he preferred walking on tea, he said. 'I took the liberty to call at Mrs. Warwick's house,' he informed her; 'the footman said she was at Copsley. I found it on the map--I knew the directions--and started about two in the morning. I wanted a walk.'

Volume 3 opens with Diana, now a successful author, writing to her friend Emma Dunstane. Her letter reveals a self-conscious awareness of her public reception: she describes her book as a 'new face appealing to a mirror of the common surface emotions' and dismisses the praise as 'top-skim.' This early passage sets a tone of ironic detachment, inviting readers to watch for the gap between Diana's composed public statements and her private anxieties.

The Authoress Behind the Mask

Diana's letter to Emma is a study in controlled self-revelation. She admits her book was 'pieced' and 'puffed' to suit the public, yet she also insists she will not 'pipe as others please.' The metaphor of the 'wizard-circle of my popularity' suggests a trap she half-willingly enters. Readers should note how Meredith uses Diana's own words to expose her ambivalence: she claims to stand guard against 'vaporous generalizations' even as she indulges in them. The letter is a performance of modesty that paradoxically asserts her critical intelligence.

This section also introduces a key structural device: Diana's correspondence becomes a window into her inner life, contrasting with the third-person narration that follows. The letter's careful phrasing—'I have not seen what I consider good in the book once mentioned'—hints at a deeper dissatisfaction that will surface later.

A Drive in Sunlight and Moonlight: Setting as Emotional Barometer

The chapter 'A Drive in Sunlight and a Drive in Moonlight' uses contrasting light to mirror Diana's shifting moods. The sunlight drive likely represents clarity or public exposure, while the moonlight suggests intimacy or concealment. Meredith's descriptive prose—'the cathedral towers of the ancient Norman city, standing up in the smoky hues of the West'—anchors the emotional landscape in physical detail.

Percy Dacier's reaction to Diana's writing is telling: he savors a sentence from her book—'Thoughts that are bare dark outlines, coloured by some odd passion of the soul'—though his 'bluff English anti-poetic training' would normally dismiss such language. His willingness to 'swallow and assimilate' her ethereal phrase indicates how Diana's influence alters his perception. Readers should track how setting and weather in this volume often prefigure or echo character tensions.

The Young Minister of State: Model and Mirror

Diana's novel features a 'Young Minister of State' modeled on Percy Dacier, a fact she now regrets. The excerpt shows her reflecting that she 'certainly would not have done it now,' comparing her earlier boldness to 'one who has dropped from a precipice to the midway ledge over the abyss.' This image of precarious footing recurs throughout the volume, emphasizing her vulnerability.

Meredith complicates the portrait by having Dacier himself appear in the narrative, his own thoughts and actions juxtaposed with Diana's fictionalized version. The reader is left to gauge how accurately Diana has captured him—and how much her portrayal reveals about her own desires. The chapter title 'Records a Visit to Diana from One of the World's Good Women' further layers the perspective, introducing an external moral judgment on Diana's conduct.

Diana's Night-Watch: Confronting Mortality and Self

The chapter 'Diana's Night-Watch in the Chamber of Death' places Diana in a vigil that forces introspection. Though the excerpt does not detail the scene, the title alone signals a turning point: death strips away social pretenses. Given Diana's earlier reflections on her 'precarious footing,' this night-watch likely crystallizes her fears about reputation, love, and artistic integrity.

Meredith's method here is to let the chapter heading do much of the work, inviting readers to anticipate a reckoning. The juxtaposition of this somber vigil with the earlier drives and social visits creates a rhythm of public performance and private ordeal. Readers should attend to how Diana's voice shifts in this section—whether her characteristic irony gives way to something more raw.

As you read Volume 3, pay particular attention to the moments when Diana's public and private selves diverge—her letters, her guarded conversations, and her internal monologues. Meredith rewards close attention to recurring images (precipices, wizard-circles, masks) that build a coherent psychological portrait. The excerpts suggest a novel less concerned with plot than with the fine-grained analysis of a woman navigating fame, desire, and self-knowledge.

There’s something tender about watching Diana guard her letters, even as her public name grows—the way success makes privacy more precious. It reminded me of the fragile, half-spoken feelings tucked into A Bundle of Letters — A Closer Reading, where every sealed envelope feels like a small act of self-preservation. I keep thinking how much we reveal by what we hold back.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What did you think of this book?

Answer a few questions and save a private reflection on this device.

Your progress 0 / 10
1

Have you finished this book?

2

Did this book hold your interest?

3

Would you pass this book on to a friend?

4

How demanding did the text feel?

Related eBooks