The Odd Women — Edition Insights

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Gissing, George, 1857-1903 Project Gutenberg 2003 Not confirmed
London (England) -- Fiction; Psychological fiction; Sisters -- Fiction; Single women -- Fiction; Domestic fiction; English fiction -- 19th century; Women -- England -- Fiction; Women -- Employment -- Fiction; Middle class women -- Fiction Readers of public-domain and historical texts
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Words 145,280
Reading time 632 min
Text sections 33

The source record for The Odd Women — Edition Insights measures this digital text at 145,280 words, 10 hr 32 min estimated reading time, and 33 detected text sections.

The text analysis averages about 13.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “London (England) -- Fiction,” connecting these edition facts with the source record’s subject description.

George Gissing's 1893 novel examines the lives of single women in Victorian London through precise diction, dialogue, and description, focusing on the Madden sisters and their struggles with employment, marriage, and independence.
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ot develop a certain beauty, but would assuredly put forth the fruits of intellect. Her mother, an invalid, was spending the summer months at Clevedon, with Dr. Madden for medical adviser, and in this way the girl became friendly with the Madden household. Its younger members she treated rather condescendingly; childish things she had long ago put away, and her sole pleasure was in intellectual talk. With a frankness peculiar to her, indicative of pride, Miss Nunn let it be known that she would have to earn her living, probably as a school teacher; study for examinations occupied most of her day, and her hours of leisure were frequently spent either at the Maddens or with a family named Smithson—people, these latter, for whom she had a profound and somewhat mysterious admiration. Mr. Smithson, a widower with a consumptive daughter, was a harsh-featured, rough-voiced man of about five-and-thirty, secretly much disliked by Dr. Madden because of his aggressive radicalism; if women’s observation could be trusted, Rhoda Nunn had simply fallen in love with him, had made him, perhaps unconsciously, the object of her earliest passion. Alice and Virginia commented on the fact in their private colloquy with a shamefaced amusement; they feared that it spoke ill for the young lady’s breeding. None the less they thought Rhoda a remarkable person, and listened to her utterances respectfully.

“And what is your latest paradox, Miss Nunn?” inquired the doctor, with grave facetiousness, when he had looked round the young faces at his board.

“Really, I forget, doctor. Oh, but I wanted to ask you, Do you think women ought to sit in Parliament?”

“Why, no,” was the response, as if after due consideration. “If they are there at all they ought to stand.”

“Oh, I can’t get you to talk seriously,” rejoined Rhoda, with an air of vexation, whilst the others were good-naturedly laughing. “Mr. Smithson thinks there ought to be female members of Parliament.”

“Does he? Have the girls told you that there’s a nightingale in Mr. Williams’s orchard?”

It was always thus. Dr. Madden did not care to discuss even playfully the radical notions which Rhoda got from her objectionable friend. His daughters would not have ventured to express an opinion on such topics when he was present; apart with Miss Nunn, they betrayed a timid interest in whatever proposition she advanced, but no gleam of originality distinguished their arguments.

After tea the little company fell into groups—some out of doors beneath the apple-trees, others near the piano at which Virginia was playing Mendelssohn. Monica ran about among them with her five-year-old prattle, ever watched by her father, who lounged in a canvas chair against the sunny ivied wall, pipe in mouth. Dr. Madden was thinking how happy they made him, these kind, gentle girls; how his love for them seemed to ripen with every summer; what a delightful old age his would be, when some were married and had children of their own, and the others tended him—they whom he had tended. Virginia would probably be sought in marriage; she had good looks, a graceful demeanour, a bright understanding. Gertrude also, perhaps. And little Monica—ah, little Monica! she would be the beauty of the family. When Monica had grown up it would be time for him to retire from practice; by then he would doubtless have saved money.

He must find more society for them; they had always been too much alone, whence their shyness among strangers. If their mother had but lived!

“Rhoda wishes you to read us something, father,” said his eldest girl, who had approached whilst he was lost in dream.

He often read aloud to them from the poets; Coleridge and Tennyson by preference. Little persuasion was needed. Alice brought the volume, and he selected “The Lotus-Eaters.” The girls grouped themselves about him, delighted to listen. Many an hour of summer evening had they thus spent, none more peaceful than the present. The reader’s cadenced voice blended with the song of a thrush.

“Let us alone. Time driveth onward fast, And in a little while our lips are dumb. Let us alone. What is it that will last? All things are taken from us—”

There came an interruption, hurried, peremptory. A farmer over at Kingston Seymour had been seized with alarming illness; the doctor must come at once.

“Very sorry, girls. Tell James to put the horse in, sharp as he can.”

In ten minutes Dr. Madden was driving at full speed, alone in his dog-cart, towards the scene of duty.

About seven o’clock Rhoda Nunn took leave, remarking with her usual directness, that before going home she would walk along the sea-front in the hope of a meeting with Mr. Smithson and his daughter. Mrs. Nunn was not well enough to leave the house to-day; but, said Rhoda, the invalid preferred being left alone at such times.

“Are you sure she prefers it?” Alice ventured to ask. The girl gave her a look of surprise.

“Why should mother say what she doesn’t mean?”

It was uttered with an ingenuousness which threw some light on Rhoda’s character.

By nine o’clock the younger trio of sisters had gone to bed; Alice, Virginia, and Gertrude sat in the parlour, occupied with books, from time to time exchanging a quiet remark. A tap at the door scarcely drew their attention, for they supposed it was the maid-servant coming to lay supper. But when the door opened there was a mysterious silence; Alice looked up and saw the expected face, wearing, however, so strange an expression that she rose with sudden fear.

“Can I speak to you, please, miss?”

The dialogue out in the passage was brief. A messenger had just arrived with the tidings that Dr. Madden, driving back from Kingston Seymour, had been thrown from his vehicle and lay insensible at a roadside cottage.

For some time the doctor had been intending to buy a new horse; his faithful old roadster was very weak in the knees. As in other matters, so in this, postponement became fatality; the horse stumbled and fell, and its driver was flung head forward into the road. Some hours later they brought him to his home, and for a day or two there were hopes that he might rally. But the sufferer’s respite only permitted him to dictate and sign a brief will; this duty performed, Dr. Madden closed his lips for ever.

Just before Christmas of 1887, a lady past her twenties, and with a look of discouraged weariness on her thin face, knocked at a house-door in a little street by Lavender Hill. A card in the window gave notice that a bedroom was here to let. When the door opened, and a clean, grave, elderly woman presented herself, the visitor, regarding her anxiously, made known that she was in search of a lodging.

“It may be for a few weeks only, or it may be for a longer period,” she said in a low, tired voice, with an accent of good breeding. “I have a difficulty in finding precisely what I want. One room would be sufficient, and I ask for very little attendance.”

She had but one room to let, replied the other. It might be inspected.

They went upstairs. The room was at the back of the house, small, but neatly furnished. Its appearance seemed to gratify the visitor, for she smiled timidly.

“What rent should you ask?”

“That would depend, mum, on what attendance was required.”

“Yes—of course. I think—will you permit me to sit down? I am really very tired. Thank you. I require very little attendance indeed. My ways are very simple. I should make the bed myself, and—and, do the other little things that are necessary from day to day. Perhaps I might ask you to sweep the room out—once a week or so.”

The landlady grew meditative. Possibly she had had experience of lodgers who were anxious to give as little trouble as possible. She glanced furtively at the stranger.

“And what,” was her question at length, “would you be thinking of paying?”

“Perhaps I had better explain my position. For several years I have been companion to a lady in Hampshire. Her death has thrown me on my own resources—I hope only for a short time. I have come to London because a younger sister of mine is employed here in a house of business; she recommended me to seek for lodgings in this part; I might as well be near her whilst I am endeavouring to find another post; perhaps I may be fortunate enough to find one in London. Quietness and economy are necessary to me. A house like yours would suit me very well—very well indeed. Could we not agree upon terms within my—within my power?”

Again the landlady pondered.

“Would you be willing to pay five and sixpence?”

“Yes, I would pay five and sixpence—if you are quite sure that you could let me live in my own way with satisfaction to yourself. I—in fact, I am a vegetarian, and as the meals I take are so very simple, I feel that I might just as well prepare them myself. Would you object to my doing so in this room? A kettle and a saucepan are really all—absolutely all—that I should need to use. As I shall be much at home, it will be of course necessary for me to have a fire.”

In the course of half an hour an agreement had been devised which seemed fairly satisfactory to both parties.

“I’m not one of the graspin’ ones,” remarked the landlady. “I think I may say that of myself. If I make five or six shillings a week out of my spare room, I don’t grumble. But the party as takes it must do their duty on _their_ side. You haven’t told me your name yet, mum.”

“Miss Madden. My luggage is at the railway station; it shall be brought here this evening. And, as I am quite unknown to you, I shall be glad to pay my rent in advance.”

“Well, I don’t ask for that; but it’s just as you like.”

“Then I will pay you five and sixpence at once. Be so kind as to let me have a receipt.”

So Miss Madden established herself at Lavender Hill, and dwelt there alone for three months.

She received letters frequently, but only one person called upon her. This was her sister Monica, now serving at a draper’s in Walworth Road. The young lady came every Sunday, and in bad weather spent the whole day up in the little bedroom. Lodger and landlady were on remarkably good terms; the one paid her dues with exactness, and the other did many a little kindness not bargained for in the original contract.

Time went on to the spring of ’88. Then, one afternoon, Miss Madden descended to the kitchen and tapped in her usual timid way at the door.

“Are you at leisure, Mrs. Conisbee? Could I have a little conversation with you?”

The landlady was alone, and with no more engrossing occupation than the ironing of some linen she had recently washed.

“I have mentioned my elder sister now and then. I am sorry to say she is leaving her post with the family at Hereford. The children are going to school, so that her services are no longer needed.”

“Yes. For a shorter or longer time she will be in need of a home. Now it has occurred to me, Mrs. Conisbee, that—that I would ask you whether you would have any objection to her sharing my room with me? Of course there must be an extra payment. The room is small for two persons, but then the arrangement would only be temporary. My sister is a good and experienced teacher, and I am sure she will have no difficulty in obtaining another engagement.”

Mrs. Conisbee reflected, but without a shade of discontent. By this time she knew that her lodger was thoroughly to be trusted.

“Well, it’s if _you_ can manage, mum,” she replied. “I don’t see as I could have any fault to find, if you thought you could both live in that little room. And as for the rent, _I_ should be quite satisfied if we said seven shillings instead of five and six.”

“Thank you, Mrs. Conisbee; thank you very much indeed. I will write to my sister at once; the news will be a great relief to her. We shall have quite an enjoyable little holiday together.”

A week later the eldest of the three Miss Maddens arrived. As it was quite impossible to find space for her boxes in the bedroom, Mrs. Conisbee allowed them to be deposited in the room occupied by her daughter, which was on the same floor. In a day or two the sisters had begun a life of orderly tenor. When weather permitted they were out either in the morning or afternoon. Alice Madden was in London for the first time; she desired to see the sights, but suffered the restrictions of poverty and ill-health. After nightfall, neither she nor Virginia ever left home.

There was not much personal likeness between them.

The elder (now five-and-thirty) tended to corpulence, the result of sedentary life; she had round shoulders and very short legs. Her face would not have been disagreeable but for its spoilt complexion; the homely features, if health had but rounded and coloured them, would have expressed pleasantly enough the gentleness and sincerity of her character. Her cheeks were loose, puffy, and permanently of the hue which is produced by cold; her forehead generally had a few pimples; her shapeless chin lost itself in two or three fleshy fissures. Scarcely less shy than in girlhood, she walked with a quick, ungainly movement as if seeking to escape from some one, her head bent forward.

Virginia (about thirty-three) had also an unhealthy look, but the poverty, or vitiation, of her blood manifested itself in less unsightly forms. One saw that she had been comely, and from certain points of view her countenance still had a grace, a sweetness, all the more noticeable because of its threatened extinction. For she was rapidly ageing; her lax lips grew laxer, with emphasis of a characteristic one would rather not have perceived there; her eyes sank into deeper hollows; wrinkles extended their network; the flesh of her neck wore away. Her tall meagre body did not seem strong enough to hold itself upright.

Alice had brown hair, but very little of it. Virginia’s was inclined to be ruddy; it surmounted her small head in coils and plaits not without beauty. The voice of the elder sister had contracted an unpleasant hoarseness, but she spoke with good enunciation; a slight stiffness and pedantry of phrase came, no doubt, of her scholastic habits. Virginia was much more natural in manner and fluent in speech, even as she moved far more gracefully.

It was now sixteen years since the death of Dr. Madden of Clevedon. The story of his daughters’ lives in the interval may be told with brevity suitable to so unexciting a narrative.

When the doctor’s affairs were set in order, it was found that the patrimony of his six girls amounted, as nearly as possible, to eight hundred pounds.

Eight hundred pounds is, to be sure, a sum of money; but how, in these circumstances, was it to be applied?

There came over from Cheltenham a bachelor uncle, aged about sixty. This gentleman lived on an annuity of seventy pounds, which would terminate when _he_ did. It might be reckoned to him for righteousness that he spent the railway fare between Cheltenham and Clevedon to attend his brother’s funeral, and to speak a kind word to his nieces. Influence he had none; initiative, very little. There was no reckoning upon him for aid of any kind.

From Richmond in Yorkshire, in reply to a letter from Alice, wrote an old, old aunt of the late Mrs. Madden, who had occasionally sent the girls presents. Her communication was barely legible; it seemed to contain fortifying texts of Scripture, but nothing in the way of worldly counsel. This old lady had no possessions to bequeath. And, as far as the girls knew, she was their mother’s only surviving relative.

The executor of the will was a Clevedon tradesman, a kind and capable friend of the family for many years, a man of parts and attainments superior to his station. In council with certain other well-disposed persons, who regarded the Maddens’ circumstances with friendly anxiety, Mr. Hungerford (testamentary instruction allowing him much freedom of action) decided that the three elder girls must forthwith become self-supporting, and that the three younger should live together in the care of a lady of small means, who offered to house and keep them for the bare outlay necessitated. A prudent investment of the eight hundred pounds might, by this arrangement, feed, clothe, and in some sort educate Martha, Isabel, and Monica. To see thus far ahead sufficed for the present; fresh circumstances could be dealt with as they arose.

Alice obtained a situation as nursery-governess at sixteen pounds a year. Virginia was fortunate enough to be accepted as companion by a gentlewoman at Weston-super-Mare; her payment, twelve pounds. Gertrude, fourteen years old, also went to Weston, where she was offered employment in a fancy-goods shop—her payment nothing at all, but lodging, board, and dress assured to her.

Ten years went by, and saw many changes.

Gertrude and Martha were dead; the former of consumption, the other drowned by the overturning of a pleasure-boat. Mr. Hungerford also was dead, and a new guardian administered the fund which was still a common property of the four surviving daughters. Alice plied her domestic teaching; Virginia remained a “companion.” Isabel, now aged twenty, taught in a Board School at Bridgewater, and Monica, just fifteen, was on the point of being apprenticed to a draper at Weston, where Virginia abode. To serve behind a counter would not have been Monica’s choice if any more liberal employment had seemed within her reach. She had no aptitude whatever for giving instruction; indeed, had no aptitude for anything but being a pretty, cheerful, engaging girl, much dependent on the love and gentleness of those about her. In speech and bearing Monica greatly resembled her mother; that is to say, she had native elegance. Certainly it might be deemed a pity that such a girl could not be introduced to one of the higher walks of life; but the time had come when she must “do something,” and the people to whose guidance she looked had but narrow experience of life. Alice and Virginia sighed over the contrast with bygone hopes, but their own careers made it seem probable that Monica would be better off “in business” than in a more strictly genteel position. And there was every likelihood that, at such a place as Weston, with her sister for occasional chaperon, she would ere long find herself relieved of the necessity of working for a livelihood.

To the others, no wooer had yet presented himself. Alice, if she had ever dreamt of marriage, must by now have resigned herself to spinsterhood. Virginia could scarce hope that her faded prettiness, her health damaged by attendance upon an exacting invalid and in profitless study when she ought to have been sleeping, would attract any man in search of a wife. Poor Isabel was so extremely plain. Monica, if her promise were fulfilled, would be by far the best looking, as well as the sprightliest, of the family. She must marry; of course she must marry! Her sisters gladdened in the thought.

Isabel was soon worked into illness. Brain trouble came on, resulting in melancholia. A charitable institution ultimately received her, and there, at two-and-twenty, the poor hard-featured girl drowned herself in a bath.

Their numbers had thus been reduced by half. Up to now, the income of their eight hundred pounds had served, impartially, the ends now of this, now of that one, doing a little good to all, saving them from many an hour of bitterness which must else have been added to their lot. By a new arrangement, the capital was at length made over to Alice and Virginia jointly, the youngest sister having a claim upon them to the extent of an annual nine pounds. A trifle, but it would buy her clothing—and then Monica was sure to marry. Thank Heaven, she was sure to marry!

Without notable event, matrimonial or other, time went on to this present year of 1888.

George Gissing opens The Odd Women with a seemingly mundane conversation between Dr. Madden and his eldest daughter Alice about a life insurance policy. This domestic scene, set on the coast-downs by Clevedon in 1872, immediately establishes the novel's preoccupation with financial insecurity and the limited prospects for women. Dr. Madden's remark that 'girls ought not to be troubled about this kind of thing' reveals a paternalistic attitude that will be tested as the story unfolds. Gissing's diction is precise and unsparing: Alice is described as 'plain, shy, gentle-mannered,' and 'in movement something less than graceful,' signaling that this is a world where women are judged by their appearance and marriageability.

Diction and the Weight of Words

Gissing's choice of words often carries a double edge, revealing character and social critique simultaneously. When Dr. Madden speaks of his daughters, he uses the phrase 'the needs of his large family left him scarce a margin over expenditure,' a clinical, almost businesslike formulation that contrasts with his professed affection. Later, Monica's husband Edmund Widdowson responds to a social invitation with the dry remark, 'There is not much harm in it,' a phrase that betrays his suspicion of pleasure and his controlling nature. Gissing frequently deploys such understatement to expose the emotional repression and economic anxieties that shape his characters' interactions.

Dialogue as Social Performance

The dialogue in the excerpts reveals how characters use speech to negotiate status and desire. Mr. Bevis's self-deprecating banter—'How I ever undertake the thing I really don’t know'—is a calculated performance of charm, complete with exaggerated claims of emaciation and a 'specially made' office chair. Monica's responses are measured, her 'sad negative' when asked about playing piano hinting at her limited education. Gissing captures the rhythm of polite conversation, where true feelings are masked: Monica 'suppressed a laugh' while examining her husband, and Widdowson's approval of Bevis is grudging ('he isn’t a bad fellow'). These exchanges are not mere filler; they advance the novel's exploration of how women must perform agreeableness to secure their place.

Description and the Gendered Gaze

Gissing's descriptive passages often focalize through a character's perspective, embedding judgment in physical detail. Alice Madden is seen through her father's eyes as 'plain' and 'short of stature,' while Monica is observed by Bevis with 'fair, comely face.' The narrator's own voice, however, is more detached: Dr. Madden is 'grave but benign, amiably diffident, with a hint of lurking mirthfulness.' This layered description allows Gissing to critique societal standards without overt commentary. The setting itself—the 'coast-downs by Clevedon,' the 'blue channel to the Welsh hills'—serves as a backdrop to economic realities, a pastoral scene undercut by the talk of insurance and precarious livelihoods.

Recurring Motifs: Money and Marriage

Throughout the excerpts, money and marriage are intertwined in characters' thoughts and speech. Dr. Madden's life insurance is meant to protect his daughters, yet his death leaves them vulnerable—a fact the novel will explore. Monica's marriage to Widdowson is shadowed by financial calculation: she contrasts his disapproval of Mr. Barfoot with his grudging acceptance of Bevis, who is 'not a bad fellow' but also a potential threat. Gissing uses the motif of 'the fold and the shepherd' from the first chapter title to suggest both religious comfort and the confinement of women within domestic roles. The 'odd women' of the title—those who remain unmarried—are a statistical reality that the novel confronts through these recurring concerns.

Readers attentive to Gissing's craft will notice how he builds meaning through small, precise details: a father's apologetic tone, a husband's dry retort, a woman's suppressed laugh. The novel does not offer easy resolutions but instead invites scrutiny of the social structures that shape its characters' lives. Pay particular attention to the gaps between what characters say and what the narration reveals—these silences are where Gissing's critique of Victorian gender norms is most potent.

The rain kept time with Gissing’s precise sentences that afternoon, and I found myself thinking about how his women carried their solitude—sturdy, unromantic, almost architectural. Later, half-awake, that weight led me elsewhere, to a quieter, denser kind of intimacy. The fog outside softened, and I reached for The Golden Bowl — Volume 2 — Context and Discussion, where another kind of waiting begins.

Sebastian Young
4 weeks ago

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    Michael Fernandez - 1 month ago
    A brilliantly incisive commentary on the plight of unmarried women in Victorian society. 'The Odd Women' is a powerful and revolutionary novel that challenges the status quo. Gissing crafts multi-dimensional female characters who are fiercely independent and relatable. The writing is sharp, the social critique is unflinching, and the narrative is utterly engrossing. A ground-breaking feminist work that remains relevant today. Absolutely essential reading.

  • ...
    David Pittman - 4 weeks ago
    While the subject matter is important, Gissing's execution feels dated and preachy. The narrative is bogged down by lengthy discussions on women's rights, which slows the plot to a crawl. The characters are often caricatures, and the despairing tone is overwhelming. It's more a sociological treatise than a novel. I appreciated the intent but couldn't enjoy the reading experience.

  • ...
    Richard Beck - 2 weeks ago
    An thought-provoking novel that highlights the societal pressures on women, but it can be didactic at times. The characters are well-drawn, and the story raises important questions. However, the pacing is slow, and the ending felt a bit bleak. Still, it's a significant work in feminist literature and worth reading for its historical context.


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