The Well-Beloved: A Sketch of a Temperament — A Closer Reading
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the isle when he lived there always looked quaint and odd after his later impressions. More than ever the spot seemed what it was said once to have been, the ancient Vindilia Island, and the Home of the Slingers. The towering rock, the houses above houses, one man’s doorstep rising behind his neighbour’s chimney, the gardens hung up by one edge to the sky, the vegetables growing on apparently almost vertical planes, the unity of the whole island as a solid and single block of limestone four miles long, were no longer familiar and commonplace ideas. All now stood dazzlingly unique and white against the tinted sea, and the sun flashed on infinitely stratified walls of oolite,
The melancholy ruins Of cancelled cycles,...
with a distinctiveness that called the eyes to it as strongly as any spectacle he had beheld afar.
After a laborious clamber he reached the top, and walked along the plateau towards the eastern village. The time being about two o’clock, in the middle of the summer season, the road was glaring and dusty, and drawing near to his father’s house he sat down in the sun.
He stretched out his hand upon the rock beside him. It felt warm. That was the island’s personal temperature when in its afternoon sleep as now. He listened, and heard sounds: whirr-whirr, saw-saw-saw. Those were the island’s snores--the noises of the quarrymen and stone-sawyers.
Opposite to the spot on which he sat was a roomy cottage or homestead. Like the island it was all of stone, not only in walls but in window-frames, roof, chimneys, fence, stile, pigsty and stable, almost door.
He remembered who had used to live there--and probably lived there now--the Caro family; the ‘roan-mare’ Caros, as they were called to distinguish them from other branches of the same pedigree, there being but half-a-dozen Christian and surnames in the whole island. He crossed the road and looked in at the open doorway. Yes, there they were still.
Mrs. Caro, who had seen him from the window, met him in the entry, and an old-fashioned greeting took place between them. A moment after a door leading from the back rooms was thrown open, and a young girl about seventeen or eighteen came bounding in.
‘Why, ‘TIS dear Joce!’ she burst out joyfully. And running up to the young man, she kissed him.
The demonstration was sweet enough from the owner of such an affectionate pair of bright hazel eyes and brown tresses of hair. But it was so sudden, so unexpected by a man fresh from towns, that he winced for a moment quite involuntarily; and there was some constraint in the manner in which he returned her kiss, and said, ‘My pretty little Avice, how do you do after so long?’
For a few seconds her impulsive innocence hardly noticed his start of surprise; but Mrs. Caro, the girl’s mother, had observed it instantly. With a pained flush she turned to her daughter.
‘Avice--my dear Avice! Why--what are you doing? Don’t you know that you’ve grown up to be a woman since Jocelyn--Mr. Pierston--was last down here? Of course you mustn’t do now as you used to do three or four years ago!’
The awkwardness which had arisen was hardly removed by Pierston’s assurance that he quite expected her to keep up the practice of her childhood, followed by several minutes of conversation on general subjects. He was vexed from his soul that his unaware movement should so have betrayed him. At his leaving he repeated that if Avice regarded him otherwise than as she used to do he would never forgive her; but though they parted good friends her regret at the incident was visible in her face. Jocelyn passed out into the road and onward to his father’s house hard by. The mother and daughter were left alone.
‘I was quite amazed at ‘ee, my child!’ exclaimed the elder. ‘A young man from London and foreign cities, used now to the strictest company manners, and ladies who almost think it vulgar to smile broad! How could ye do it, Avice?’
‘I--I didn’t think about how I was altered!’ said the conscience-stricken girl. ‘I used to kiss him, and he used to kiss me before he went away.’
‘But that was years ago, my dear!’
‘O yes, and for the moment I forgot! He seemed just the same to me as he used to be.’
‘Well, it can’t be helped now. You must be careful in the future. He’s got lots of young women, I’ll warrant, and has few thoughts left for you. He’s what they call a sculptor, and he means to be a great genius in that line some day, they do say.’
‘Well, I’ve done it; and it can’t be mended!’ moaned the girl.
Meanwhile Jocelyn Pierston, the sculptor of budding fame, had gone onward to the house of his father, an inartistic man of trade and commerce merely, from whom, nevertheless, Jocelyn condescended to accept a yearly allowance pending the famous days to come. But the elder, having received no warning of his son’s intended visit, was not at home to receive him. Jocelyn looked round the familiar premises, glanced across the Common at the great yards within which eternal saws were going to and fro upon eternal blocks of stone--the very same saws and the very same blocks that he had seen there when last in the island, so it seemed to him--and then passed through the dwelling into the back garden.
Like all the gardens in the isle it was surrounded by a wall of dry-jointed spawls, and at its further extremity it ran out into a corner, which adjoined the garden of the Caros. He had no sooner reached this spot than he became aware of a murmuring and sobbing on the other side of the wall. The voice he recognized in a moment as Avice’s, and she seemed to be confiding her trouble to some young friend of her own sex.
‘Oh, what shall I DO! what SHALL I do!’ she was saying bitterly. ‘So bold as it was--so shameless! How could I think of such a thing! He will never forgive me--never, never like me again! He’ll think me a forward hussy, and yet--and yet I quite forgot how much I had grown. But that he’ll never believe!’ The accents were those of one who had for the first time become conscious of her womanhood, as an unwonted possession which shamed and frightened her.
‘Did he seem angry at it?’ inquired the friend.
‘O no--not angry! Worse. Cold and haughty. O, he’s such a fashionable person now--not at all an island man. But there’s no use in talking of it. I wish I was dead!’
Pierston retreated as quickly as he could. He grieved at the incident which had brought such pain to this innocent soul; and yet it was beginning to be a source of vague pleasure to him. He returned to the house, and when his father had come back and welcomed him, and they had shared a meal together, Jocelyn again went out, full of an earnest desire to soothe his young neighbour’s sorrow in a way she little expected; though, to tell the truth, his affection for her was rather that of a friend than of a lover, and he felt by no means sure that the migratory, elusive idealization he called his Love who, ever since his boyhood, had flitted from human shell to human shell an indefinite number of times, was going to take up her abode in the body of Avice Caro.
1. II. THE INCARNATION IS ASSUMED TO BE TRUE
It was difficult to meet her again, even though on this lump of rock the difficulty lay as a rule rather in avoidance than in meeting. But Avice had been transformed into a very different kind of young woman by the self-consciousness engendered of her impulsive greeting, and, notwithstanding their near neighbourhood, he could not encounter her, try as he would. No sooner did he appear an inch beyond his father’s door than she was to earth like a fox; she bolted upstairs to her room.
Anxious to soothe her after his unintentional slight he could not stand these evasions long. The manners of the isle were primitive and straightforward, even among the well-to-do, and noting her disappearance one day he followed her into the house and onward to the foot of the stairs.
‘Why do you run upstairs like that?’
‘Oh--only because I wanted to come up for something.’
‘Well, if you’ve got it, can’t you come down again?’
‘No, I can’t very well.’
‘Come, DEAR Avice. That’s what you are, you know.’
There was no response.
‘Well, if you won’t, you won’t!’ he continued. ‘I don’t want to bother you.’ And Pierston went away.
He was stopping to look at the old-fashioned flowers under the garden walls when he heard a voice behind him.
‘Mr. Pierston--I wasn’t angry with you. When you were gone I thought--you might mistake me, and I felt I could do no less than come and assure you of my friendship still.’
Turning he saw the blushing Avice immediately behind him.
‘You are a good, dear girl!’ said he, and, seizing her hand, set upon her cheek the kind of kiss that should have been the response to hers on the day of his coming.
‘Darling Avice, forgive me for the slight that day! Say you do. Come, now! And then I’ll say to you what I have never said to any other woman, living or dead: “Will you have me as your husband?”’
‘Ah!--mother says I am only one of many!’
‘You are not, dear. You knew me when I was young, and others didn’t.’
Somehow or other her objections were got over, and though she did not give an immediate assent, she agreed to meet him later in the afternoon, when she walked with him to the southern point of the island called the Beal, or, by strangers, the Bill, pausing over the treacherous cavern known as Cave Hole, into which the sea roared and splashed now as it had done when they visited it together as children. To steady herself while looking in he offered her his arm, and she took it, for the first time as a woman, for the hundredth time as his companion.
They rambled on to the lighthouse, where they would have lingered longer if Avice had not suddenly remembered an engagement to recite poetry from a platform that very evening at the Street of Wells, the village commanding the entrance to the island--the village that has now advanced to be a town.
‘Recite!’ said he. ‘Who’d have thought anybody or anything could recite down here except the reciter we hear away there--the never speechless sea.’
‘O but we are quite intellectual now. In the winter particularly. But, Jocelyn--don’t come to the recitation, will you? It would spoil my performance if you were there, and I want to be as good as the rest.’
‘I won’t if you really wish me not to. But I shall meet you at the door and bring you home.’
‘Yes!’ she said, looking up into his face. Avice was perfectly happy now; she could never have believed on that mortifying day of his coming that she would be so happy with him. When they reached the east side of the isle they parted, that she might be soon enough to take her place on the platform. Pierston went home, and after dark, when it was about the hour for accompanying her back, he went along the middle road northward to the Street of Wells.
He was full of misgiving. He had known Avice Caro so well of old that his feeling for her now was rather comradeship than love; and what he had said to her in a moment of impulse that morning rather appalled him in its consequences. Not that any of the more sophisticated and accomplished women who had attracted him successively would be likely to rise inconveniently between them. For he had quite disabused his mind of the assumption that the idol of his fancy was an integral part of the personality in which it had sojourned for a long or a short while.
To his Well-Beloved he had always been faithful; but she had had many embodiments. Each individuality known as Lucy, Jane, Flora, Evangeline, or what-not, had been merely a transient condition of her. He did not recognize this as an excuse or as a defence, but as a fact simply. Essentially she was perhaps of no tangible substance; a spirit, a dream, a frenzy, a conception, an aroma, an epitomized sex, a light of the eye, a parting of the lips. God only knew what she really was; Pierston did not. She was indescribable.
Never much considering that she was a subjective phenomenon vivified by the weird influences of his descent and birthplace, the discovery of her ghostliness, of her independence of physical laws and failings, had occasionally given him a sense of fear. He never knew where she next would be, whither she would lead him, having herself instant access to all ranks and classes, to every abode of men. Sometimes at night he dreamt that she was ‘the wile-weaving Daughter of high Zeus’ in person, bent on tormenting him for his sins against her beauty in his art--the implacable Aphrodite herself indeed. He knew that he loved the masquerading creature wherever he found her, whether with blue eyes, black eyes, or brown; whether presenting herself as tall, fragile, or plump. She was never in two places at once; but hitherto she had never been in one place long.
By making this clear to his mind some time before to-day, he had escaped a good deal of ugly self-reproach. It was simply that she who always attracted him, and led him whither she would as by a silken thread, had not remained the occupant of the same fleshly tabernacle in her career so far. Whether she would ultimately settle down to one he could not say.
Had he felt that she was becoming manifest in Avice, he would have tried to believe that this was the terminal spot of her migrations, and have been content to abide by his words. But did he see the Well-Beloved in Avice at all? The question was somewhat disturbing.
He had reached the brow of the hill, and descended towards the village, where in the long straight Roman street he soon found the lighted hall. The performance was not yet over; and by going round to the side of the building and standing on a mound he could see the interior as far down as the platform level. Avice’s turn, or second turn, came on almost immediately. Her pretty embarrassment on facing the audience rather won him away from his doubts. She was, in truth, what is called a ‘nice’ girl; attractive, certainly, but above all things nice--one of the class with whom the risks of matrimony approximate most nearly to zero. Her intelligent eyes, her broad forehead, her thoughtful carriage, ensured one thing, that of all the girls he had known he had never met one with more charming and solid qualities than Avice Caro’s. This was not a mere conjecture--he had known her long and thoroughly; her every mood and temper.
A heavy wagon passing without drowned her small soft voice for him; but the audience were pleased, and she blushed at their applause. He now took his station at the door, and when the people had done pouring out he found her within awaiting him.
They climbed homeward slowly by the Old Road, Pierston dragging himself up the steep by the wayside hand-rail and pulling Avice after him upon his arm. At the top they turned and stood still. To the left of them the sky was streaked like a fan with the lighthouse rays, and under their front, at periods of a quarter of a minute, there arose a deep, hollow stroke like the single beat of a drum, the intervals being filled with a long-drawn rattling, as of bones between huge canine jaws. It came from the vast concave of Deadman’s Bay, rising and falling against the pebble dyke.
The evening and night winds here were, to Pierston’s mind, charged with a something that did not burden them elsewhere. They brought it up from that sinister Bay to the west, whose movement she and he were hearing now. It was a presence--an imaginary shape or essence from the human multitude lying below: those who had gone down in vessels of war, East Indiamen, barges, brigs, and ships of the Armada--select people, common, and debased, whose interests and hopes had been as wide asunder as the poles, but who had rolled each other to oneness on that restless sea-bed. There could almost be felt the brush of their huge composite ghost as it ran a shapeless figure over the isle, shrieking for some good god who would disunite it again.
The twain wandered a long way that night amid these influences--so far as to the old Hope Churchyard, which lay in a ravine formed by a landslip ages ago. The church had slipped down with the rest of the cliff, and had long been a ruin. It seemed to say that in this last local stronghold of the Pagan divinities, where Pagan customs lingered yet, Christianity had established itself precariously at best. In that solemn spot Pierston kissed her.
The kiss was by no means on Avice’s initiative this time. Her former demonstrativeness seemed to have increased her present reserve.
That day was the beginning of a pleasant month passed mainly in each other’s society. He found that she could not only recite poetry at intellectual gatherings, but play the piano fairly, and sing to her own accompaniment.
He observed that every aim of those who had brought her up had been to get her away mentally as far as possible from her natural and individual life as an inhabitant of a peculiar island: to make her an exact copy of tens of thousands of other people, in whose circumstances there was nothing special, distinctive, or picturesque; to teach her to forget all the experiences of her ancestors; to drown the local ballads by songs purchased at the Budmouth fashionable music-sellers’, and the local vocabulary by a governess-tongue of no country at all. She lived in a house that would have been the fortune of an artist, and learnt to draw London suburban villas from printed copies.
Avice had seen all this before he pointed it out, but, with a girl’s tractability, had acquiesced. By constitution she was local to the bone, but she could not escape the tendency of the age.
The time for Jocelyn’s departure drew near, and she looked forward to it sadly, but serenely, their engagement being now a settled thing. Pierston thought of the native custom on such occasions, which had prevailed in his and her family for centuries, both being of the old stock of the isle. The influx of ‘kimberlins,’ or ‘foreigners’ (as strangers from the mainland of Wessex were called), had led in a large measure to its discontinuance; but underneath the veneer of Avice’s education many an old-fashioned idea lay slumbering, and he wondered if, in her natural melancholy at his leaving, she regretted the changing manners which made unpopular the formal ratification of a betrothal, according to the precedent of their sires and grandsires.
1. III. THE APPOINTMENT
‘Well,’ said he, ‘here we are, arrived at the fag-end of my holiday. What a pleasant surprise my old home, which I have not thought worth coming to see for three or four years, had in store for me!’
‘You must go to-morrow?’ she asked uneasily.
Something seemed to overweigh them; something more than the natural sadness of a parting which was not to be long; and he decided that instead of leaving in the daytime as he had intended, he would defer his departure till night, and go by the mail-train from Budmouth. This would give him time to look into his father’s quarries, and enable her, if she chose, to walk with him along the beach as far as to Henry the Eighth’s Castle above the sands, where they could linger and watch the moon rise over the sea. She said she thought she could come.
Hardy's subtitle, 'A Sketch of a Temperament,' signals that this novel is less a conventional love story than a study of a single, obsessive pattern of desire. The protagonist, Jocelyn Pierston, is a sculptor who repeatedly falls in love with a woman he calls the 'Well-Beloved'—an idealized figure that he believes migrates from one female body to another. The narrative is divided into three parts, each corresponding to a decade of Pierston's life: his twenties, forties, and sixties. The setting is the Isle of Portland, a 'peninsula carved by Time out of a single stone,' whose isolated, sea-girt character Hardy presents as conducive to 'fancies' and 'singular customs.' The novel's structure, with its repeated incarnations of the beloved, mirrors Pierston's own artistic practice of seeking an eternal form through transient materials.
The Sculptor's Temperament
Pierston's profession as a sculptor is not incidental; it is the lens through which he perceives the world. He treats living women as raw material for his ideal, a habit that the novel presents as both artistic and destructive. In one passage, he reflects that he is 'powerless in the grasp of the idealizing passion,' and that he cares more for Avice's 'finger-tips than for Mrs. Pine-Avon's whole personality.' This reduction of a person to a part—a finger-tip, a glance—reveals the fragmenting effect of his aesthetic obsession. Hardy does not condemn Pierston outright, but the narrative accumulates evidence of the cost: the women he pursues are left bewildered or hurt, and Pierston himself remains perpetually unsatisfied. The novel's subtitle, 'A Sketch of a Temperament,' suggests that this is a case study, not a romance.
Three Generations, One Pattern
The plot hinges on Pierston's attraction to three women, all named Avice Caro, who are grandmother, mother, and daughter. This tripartite structure is announced in the table of contents: 'A Young Man of Twenty,' 'A Young Man of Forty,' 'A Young Man of Sixty.' The repetition of the name 'Avice' and the island setting create a sense of cyclical return, as if Pierston is doomed to repeat the same mistake at each stage of life. Yet the excerpts show that the women are distinct individuals: the first Avice is a 'coquettish Sunday frock' wearer with 'cock's feathers' in her hat; the second, Mrs. Pine-Avon, is a 'kind, proud woman' who drives a landau; the third appears only as a 'pretty little cottage-girl.' Pierston's inability to see them as separate from his ideal is the central irony of the novel.
Island and Idolatry
Hardy's preface emphasizes the peculiarity of Portland, its 'curious and well-nigh distinct people' and 'strange beliefs.' The island functions as a kind of laboratory for Pierston's temperament, a place where 'fancies' thrive 'by the sea in the roughest of weather.' The novel draws a parallel between Pierston's artistic devotion and pagan idolatry: he is compared to Demetrius of Ephesus, a silversmith who made shrines for Artemis. The text speculates that 'Divine punishment for his idolatries had come.' This religious language—'incarnation,' 'ghost,' 'resurrection'—pervades the narrative, suggesting that Pierston's pursuit of the Well-Beloved is a secular heresy, a worship of the ideal at the expense of the real. The island's geography, with its ancient temple foundations now supporting a church, literalizes this tension between pagan and Christian worldviews.
Readers should attend to the novel's careful modulation of tone: it is neither a straightforward romance nor a satire, but a coolly ironic study of a man who mistakes his own artistic projections for love. Hardy's prose is precise and often wry, and the island setting is rendered with geological specificity. The three-part structure invites comparison between the stages of Pierston's life, but the excerpts suggest that the pattern, not the progression, is the point. This is a novel about the shape of a desire, not its fulfillment.
The rain kept pace with Pierston’s restlessness, that endless moulding of women into ghosts. I closed The Well-Beloved feeling oddly hollow, then wandered shelf-ward, pulled by a worn spine. That evening, The Two Vanrevels — Text and Context offered a different kind of pursuit—one where certainty fractured quietly, not with drama, but with the soft weight of a held breath.
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Ivan Davis - 3 weeks ago
The Well-Beloved is a disappointing and muddled novel. Hardy's idea of a man falling in love with successive generations of the same family is handled with a heavy hand, making the protagonist's obsession seem ridiculous rather than tragic. The prose is overly stylized, and the plot is thin, with little action or character development. The novel lacks the emotional force and social commentary of Hardy's better works, making it a chore to read. -
Darin Taylor Brown - 2 weeks ago
The Well-Beloved is a hauntingly beautiful exploration of love, art, and time. Hardy's protagonist, Jocelyn Pierston, chases an idealized image of beauty through three generations of women, each reminiscent of his first love. The poetic prose and atmospheric setting of the Isle of Slingers create a dreamlike quality that is both mesmerizing and tragic. Hardy's meditation on the nature of idealization and the passage of time is profound and deeply moving. -
Andres Mary Morse - 2 weeks ago
The Well-Beloved is an unusual work in Hardy's oeuvre, blending realism with fantasy. The central premise is intriguing, and Hardy's descriptions of the island are vivid. However, the story's repetitive structure and the protagonist's obsessive pursuit can become tiresome. The ending feels abrupt, and the philosophical musings often overshadow the narrative. Still, it's a unique read for Hardy fans.
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