Under Two Flags — Background and Themes
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ur, at least,” was the answer. “Very well, then I will turn in and get some sleep,” said the Commander-in-Chief, rolling himself in a cloak, and lying down in a ditch to rest as soundly for the single half hour as any tired drummer-boy.
Serenely as Wellington, another hero slept profoundly, on the eve of a great event--of a great contest to be met when the day should break--of a critical victory, depending on him alone to save the Guards of England from defeat and shame; their honor and their hopes rested on his solitary head; by him they would be lost or saved; but, unharassed by the magnitude of the stake at issue, unhaunted by the past, unfretted by the future, he slumbered the slumber of the just.
Not Sir Tristram, Sir Caledore, Sir Launcelot--no, nor Arthur himself--was ever truer knight, was ever gentler, braver, bolder, more stanch of heart, more loyal of soul, than he to whom the glory of the Brigades was trusted now; never was there spirit more dauntless and fiery in the field; never temper kindlier and more generous with friends and foes. Miles of the ridge and furrow, stiff fences of terrible blackthorn, double posts and rails, yawners and croppers both, tough as Shire and Stewards could make them, awaited him on the morrow; on his beautiful lean head capfuls of money were piled by the Service and the Talent; and in his stride all the fame of the Household would be centered on the morrow; but he took his rest like the cracker he was--standing as though he were on guard, and steady as a rock, a hero every inch of him. For he was Forest King, the great steeple-chaser, on whom the Guards had laid all their money for the Grand Military--the Soldiers' Blue Ribbon.
His quarters were a loose box; his camp-bed a litter of straw fresh shaken down; his clothing a very handsome rug, hood, and quarter-piece buckled on and marked “B. C.”; above the manger and the door was lettered his own name in gold. “Forest King”; and in the panels of the latter were miniatures of his sire and of his dam: Lord of the Isles, one of the greatest hunters that the grass countries ever saw sent across them; and Bayadere, a wild-pigeon-blue mare of Circassia. How, furthermore, he stretched up his long line of ancestry by the Sovereign, out of Queen of Roses; by Belted Earl, out of Fallen Star; by Marmion, out of Court Coquette, and straight up to the White Cockade blood, etc., etc., etc.--is it not written in the mighty and immortal chronicle, previous as the Koran, patrician as the Peerage, known and beloved to mortals as the “Stud Book”?
Not an immensely large, or unusually powerful horse, but with race in every line of him; steel-gray in color, darkening well at all points, shining and soft as satin, with the firm muscles quivering beneath at the first touch of excitement to the high mettle and finely-strung organization; the head small, lean, racer-like, “blood” all over; with the delicate taper ears, almost transparent in full light; well ribbed-up, fine shoulders, admirable girth and loins; legs clean, slender, firm, promising splendid knee action; sixteen hands high, and up to thirteen stone; clever enough for anything, trained to close and open country, a perfect brook jumper, a clipper at fencing; taking a great deal of riding, as anyone could tell by the set-on of his neck, but docile as a child to a well-known hand--such was Forest King with his English and Eastern strains, winner at Chertsey, Croydon, the National, the Granby, the Belvoir Castle, the Curragh, and all the gentleman-rider steeple-chases and military sweepstakes in the kingdom, and entered now, with tremendous bets on him, for the Gilt Vase.
It was a crisp, cold night outside; starry, wintry, but open weather, and clear; the ground would be just right on the morrow, neither hard as the slate of a billiard-table, nor wet as the slush of a quagmire. Forest King slept steadily on in his warm and spacious box, dreaming doubtless of days of victory, cub-hunting in the reedy October woods and pastures, of the ringing notes of the horn, and the sweet music of the pack, and the glorious quick burst up-wind, breasting the icy cold water, and showing the way over fence and bullfinch. Dozing and dreaming pleasantly; but alert for all that; for he awoke suddenly, shook himself, had a hilarious roll in the straw, and stood “at attention.”
Awake only, could you tell the generous and gallant promise of his perfect temper; for there are no eyes that speak more truly, none on earth that are so beautiful, as the eyes of a horse. Forest King's were dark as a gazelle's, soft as a woman's, brilliant as stars, a little dreamy and mournful, and as infinitely caressing when he looked at what he loved, as they could blaze full of light and fire when danger was near and rivalry against him. How loyally such eyes have looked at me over the paddock fence, as a wild, happy gallop was suddenly broken for a gentle head to be softly pushed against my hand with the gentlest of welcomes! They sadly put to shame the million human eyes that so fast learn the lie of the world, and utter it as falsely as the lips.
The steeple-chaser stood alert, every fiber of his body strung to pleasurable excitation; the door opened, a hand held him some sugar, and the voice he loved best said fondly, “All right, old boy?”
Forest King devoured the beloved dainty with true equine unction, rubbed his forehead against his master's shoulder, and pushed his nose into the nearest pocket in search for more of his sweetmeat.
“You'd eat a sugar-loaf, you dear old rascal. Put the gas up, George,” said his owner, while he turned up the body clothing to feel the firm, cool skin, loosened one of the bandages, passed his hand from thigh to fetlock, and glanced round the box to be sure the horse had been well suppered and littered down.
“Think we shall win, Rake?”
Rake, with a stable lantern in his hand and a forage cap on one side of his head, standing a little in advance of a group of grooms and helpers, took a bit of straw out of his mouth, and smiled a smile of sublime scorn and security. “Win, sir? I should be glad to know as when was that ere King ever beat yet; or you either, sir, for that matter?”
Bertie Cecil laughed a little languidly.
“Well, we take a good deal of beating, I think, and there are not very many who can give it us; are there, old fellow?” he said to the horse, as he passed his palm over the withers; “but there are some crushers in the lot to-morrow; you'll have to do all you know.”
Forest King caught the manger with his teeth, and kicked in a bit of play and ate some more sugar, with much licking of his lips to express the nonchalance with which he viewed his share in the contest, and his tranquil certainty of being first past the flags. His master looked at him once more and sauntered out of the box.
“He's in first-rate form, Rake, and right as a trivet.”
“Course he is, sir; nobody ever laid leg over such cattle as all that White Cockade blood, and he's the very best of the strain,” said Rake, as he held up his lantern across the stable-yard, that looked doubly dark in the February night after the bright gas glare of the box.
“So he need be,” thought Cecil, as a bull terrier, three or four Gordon setters, an Alpine mastiff, and two wiry Skyes dashed at their chains, giving tongue in frantic delight at the sound of his step, while the hounds echoed the welcome from their more distant kennels, and he went slowly across the great stone yard, with the end of a huge cheroot glimmering through the gloom. “So he need be, to pull me through. The Ducal and the October let me in for it enough; I never was closer in my life. The deuce! If I don't do the distance to-morrow I shan't have sovereigns enough to play pound-points at night! I don't know what a man's to do; if he's put into this life, he must go the pace of it. Why did Royal send me into the Guards, if he meant to keep the screw on in this way? He'd better have drafted me into a marching regiment at once, if he wanted me to live upon nothing.”
Nothing meant anything under 60,000 pounds a year with Cecil, as the minimum of monetary necessities in this world, and a look of genuine annoyance and trouble, most unusual there, was on his face, the picture of carelessness and gentle indifference habitually, though shadowed now as he crossed the courtyard after his after-midnight visit to his steeple-chaser. He had backed Forest King heavily, and stood to win or lose a cracker on his own riding on the morrow; and, though he had found sufficient to bring him into the Shires, he had barely enough lying on his dressing-table, up in the bachelor suite within, to pay his groom's book, or a notion where to get more, if the King should find his match over the ridge and furrow in the morning!
It was not pleasant: a cynical, savage, world-disgusted Timon derives on the whole a good amount of satisfaction from his break-down in the fine philippics against his contemporaries that it is certain to afford, and the magnificent grievances with which it furnishes him; but when life is very pleasant to a man, and the world very fond of him; when existence is perfectly smooth,--bar that single pressure of money,--and is an incessantly changing kaleidoscope of London seasons, Paris winters, ducal houses in the hunting months, dinners at the Pall Mall Clubs, dinners at the Star and Garter, dinners irreproachable everywhere; cottage for Ascot week, yachting with the R. V. Y. Club, Derby handicaps at Hornsey, pretty chorus-singers set up in Bijou villas, dashing rosieres taken over to Baden, warm corners in Belvoir, Savernake, and Longeat battues, and all the rest of the general programme, with no drawback to it, except the duties at the Palace, the heat of a review, or the extravagance of a pampered lionne--then to be pulled up in that easy, swinging gallop for sheer want of a golden shoe, as one may say, is abominably bitter, and requires far more philosophy to endure than Timon would ever manage to master. It is a bore, an unmitigated bore; a harsh, hateful, unrelieved martyrdom that the world does not see, and that the world would not pity if it did.
“Never mind! Things will come right. Forest King never failed me yet; he is as full of running as a Derby winner, and he'll go over the yawners like a bird,” thought Cecil, who never confronted his troubles with more than sixty seconds' thought, and who was of that light, impassible, half-levity, half-languor of temperament that both throws off worry easily and shirks it persistently. “Sufficient for the day,” etc., was the essence of his creed; and if he had enough to lay a fiver at night on the rubber, he was quite able to forget for the time that he wanted five hundred for settling-day in the morning, and had not an idea how to get it. There was not a trace of anxiety on him when he opened a low arched door, passed down a corridor, and entered the warm, full light of that chamber of liberty, that sanctuary of the persecuted, that temple of refuge, thrice blessed in all its forms throughout the land, that consecrated Mecca of every true believer in the divinity of the meerschaum, and the paradise of the nargile--the smoking-room.
A spacious, easy chamber, too; lined with the laziest of divans, seen just now through a fog of smoke, and tenanted by nearly a score of men in every imaginable loose velvet costume, and with faces as well known in the Park at six o'clock in May, and on the Heath in October; in Paris in January, and on the Solent in August; in Pratt's of a summer's night, and on the Moors in an autumn morning, as though they were features that came round as regularly as the “July” or the Waterloo Cup. Some were puffing away in calm, meditative comfort, in silence that they would not have broken for any earthly consideration; others were talking hard and fast, and through the air heavily weighted with the varieties of tobacco, from tiny cigarettes to giant cheroots, from rough bowls full of cavendish to sybaritic rose-water hookahs, a Babel of sentences rose together: “Gave him too much riding, the idiot.” “Take the field, bar one.” “Nothing so good for the mare as a little niter and antimony in her mash.” “Not at all! The Regent and Rake cross in the old strain, always was black-tan with a white frill.” “The Earl's as good a fellow as Lady Flora; always give you a mount.” “Nothing like a Kate Terry though, on a bright day, for salmon.” “Faster thing I never knew; found at twenty minutes past eleven, and killed just beyond Longdown Water at ten to twelve.” All these various phrases were rushing in among each other, and tossed across the eddies of smoke in the conflicting tongues loosened in the tabagie and made eloquent, though slightly inarticulate, by pipe-stems; while a tall, fair man, with the limbs of a Hercules, the chest of a prize-fighter, and the face of a Raphael Angel, known in the Household as Seraph, was in the full blood of a story of whist played under difficulties in the Doncaster express.
“I wanted a monkey; I wanted monkeys awfully,” he was stating as Forest King's owner came into the smoking-room.
“Did you, Seraph? The 'Zoo' or the Clubs could supply you with apes fully developed to any amount,” said Bertie, as he threw himself down.
“You be hanged!” laughed the Seraph, known to the rest of the world as the Marquis of Rockingham, son of the Duke of Lyonnesse. “I wished monkeys, but the others wished ponies and hundreds, so I gave in; Vandebur and I won two rubbers, and we'd just begun the third when the train stopped with a crash; none of us dropped the cards though, but the tricks and the scores all went down with the shaking. 'Can't play in that row,' said Charlie, for the women were shrieking like mad, and the engine was roaring like my mare Philippa--I'm afraid she'll never be cured, poor thing!--so I put my head out and asked what was up? We'd run into a cattle train. Anybody hurt? No, nobody hurt; but we were to get out. 'I'll be shot if I get out,' I told 'em, 'till I've finished the rubber.' 'But you must get out,' said the guard; 'carriages must be moved.' 'Nobody says “must” to him,' said Van (he'd drank more Perles du Rhin than was good for him in Doncaster); 'don't you know the Seraph?' Man stared. 'Yes, sir; know the Seraph, sir; leastways, did, sir, afore he died; see him once at Moulsey Mill, sir; his “one two” was amazin'. Waters soon threw up the sponge.' We were all dying with laughter, and I tossed him a tenner. 'There, my good fellow,' said I, 'shunt the carriage and let us finish the game. If another train comes up, give it Lord Rockingham's compliments and say he'll thank it to stop, because collisions shake his trumps together.' Man thought us mad; took tenner though, shunted us to one side out of the noise, and we played two rubbers more before they'd repaired the damage and sent us on to town.”
And the Seraph took a long-drawn whiff from his silver meerschaum, and then a deep draught of soda and brandy to refresh himself after the narrative--biggest, best-tempered, and wildest of men in or out of the Service, despite the angelic character of his fair-haired head, and blue eyes that looked as clear and as innocent as those of a six-year-old child.
“Not the first time by a good many that you've 'shunted off the straight,' Seraph?” laughed Cecil, substituting an amber mouth-piece for his half-finished cheroot. “I've been having a good-night look at the King. He'll stay.”
“Of course he will,” chorused half a dozen voices.
“With all our pots on him,” added the Seraph. “He's too much of a gentleman to put us all up a tree; he knows he carries the honor of the Household.”
“There are some good mounts, there's no denying that,” said Chesterfield of the Blues (who was called Tom for no other reason than that it was entirely unlike his real name of Adolphus), where he was curled up almost invisible, except for the movement of the jasmine stick of his chibouque. “That brute, Day Star, is a splendid fencer, and for a brook jumper, it would be heard to best Wild Geranium, though her shoulders are not quite what they ought to be. Montacute, too, can ride a good thing, and he's got one in Pas de Charge.”
“I'm not much afraid of Monti, he makes too wild a burst first; he never saves on atom,” yawned Cecil, with the coils of his hookah bubbling among the rose-water; “the man I'm afraid of is that fellow from the Tenth; he's as light as a feather and as hard as steel. I watched him yesterday going over the water, and the horse he'll ride for Trelawney is good enough to beat even the King if he's properly piloted.”
“You haven't kept yourself in condition, Beauty,” growled “Tom,” with the chibouque in his mouth, “else nothing could give you the go-by. It's tempting Providence to go in for the Gilt Vase after such a December and January as you spent in Paris. Even the week you've been in the Shires you haven't trained a bit; you've been waltzing or playing baccarat till five in the morning, and taking no end of sodas after to bring you right for the meet at nine. If a man will drink champagnes and burgundies as you do, and spend his time after women, I should like to know how he's to be in hard riding condition, unless he expects a miracle.”
With which Chesterfield, who weighed fourteen stone himself, and was, therefore, out of all but welter-races, and wanted a weight-carrier of tremendous power even for them, subsided under a heap of velvet and cashmere, and Cecil laughed; lying on a divan just under one of the gas branches, the light fell full on his handsome face, with its fair hue and its gentle languor on which there was not a single trace of the outrecuidance attributed to him. Both he and the Seraph could lead the wildest life of any men in Europe without looking one shadow more worn than the brightest beauty of the season, and could hold wassail in riotous rivalry till the sun rose, and then throw themselves into saddle as fresh as if they had been sound asleep all night; to keep up with the pack the whole day in a fast burst or on a cold scent, or in whatever sport Fortune and the coverts gave them, till their second horses wound their way homeward through muddy, leafless lanes, when the stars had risen.
“Beauty don't believe in training. No more do I. Never would train for anything,” said the Seraph now, pulling the long blond mustaches that were not altogether in character with his seraphic cognomen. “If a man can ride, let him. If he's born to the pigskin he'll be in at the distance safe enough, whether he smokes or don't smoke, drink or don't drink. As for training on raw chops, giving up wine, living like the very deuce and all, as if you were in a monastery, and changing yourself into a mere bag of bones--it's utter bosh. You might as well be in purgatory; besides, it's no more credit to win then than if you were a professional.”
“But you must have trained at Christ Church, Rock, for the Eight?” asked another Guardsman, Sir Vere Bellingham; “Severe,” as he was christened, chiefly because he was the easiest-going giant in existence.
Ouida's Under Two Flags opens with a detailed monologue from a servant about the difficulty of polishing riding boots, immediately grounding the reader in the material culture of a British cavalry officer. The novel's dedication to a military colonel and the author's note about translating French army slang signal that this is a work steeped in soldierly life. The catalog subjects list love, Algeria, the French Foreign Legion, and British expatriates, but the excerpts show a more textured interplay: the opening chapter's fuss over 'Tops' (boots) contrasts with later scenes of high-stakes social maneuvering in Algeria, where a private soldier carves ivory chessmen for a marquise. The narrative voice shifts from colloquial servant speech to ornate descriptions of aristocratic languor, suggesting a novel that moves between domestic English concerns and exoticized North African adventure.
Military Detail and Social Hierarchy
The excerpts reveal a keen attention to the specifics of military life, from the 'Hythe boots' and 'Russia-leather crickets' of the opening to the 'Chasseur d'Afrique' uniform later. The servant Rake's complaint about 'Tops' being 'trials' establishes a world where appearance and equipment are paramount. This focus on material objects—boots, pistols, chessmen—serves as a shorthand for character and status. The private soldier who carves ivory Bedouins is contrasted with the marquise's 'regal grace,' highlighting class divisions within the military setting. The text does not shy from the grit of barrack life, as seen in Cigarette's 'fiery curses' and 'barrack repertoire,' yet it also lingers on the 'proud, rich softness' of a high-born woman's lips. This juxtaposition suggests that the novel uses military detail to explore broader social tensions between rank, birth, and merit.
The Algerian Setting as a Stage
While the catalog lists Algeria as a subject, the excerpts offer only glimpses of the setting: a 'marble balustrade,' 'rose-hued covert,' and 'ivory Bedouins.' The environment is evoked through objects and sensory details rather than landscape description. The French phrases in the author's note are tied to 'the argot of the Army of Algeria,' indicating that the setting is filtered through military jargon. The character Cigarette, crouched in a rose-hued hiding place, watches a marquise with jealousy, suggesting that the Algerian backdrop serves as a stage for personal dramas rather than a fully realized place. The novel likely uses the Foreign Legion as a device to remove characters from English society and test them in a harsher, more exotic milieu, but the excerpts do not confirm extensive geographical or cultural description.
Voice and Narrative Texture
The excerpts display a striking range of voices. The opening is dominated by the servant Rake's rambling, colloquial speech, full of hunting slang and exasperation. In contrast, later passages shift to a more ornate, third-person narration that describes a woman's 'imperial nature' and 'serene eyes.' The dialogue between the marquise and Chateauroy is formal and charged with undercurrents of resentment. Cigarette's internal monologue, with its 'hot, fast mutterings,' adds a raw, emotional register. This polyphony suggests a novel that moves between social strata and emotional states, using dialect and tone to delineate character. The author's note about translating French phrases 'idiomatically' further indicates a self-conscious attention to linguistic texture, though the excerpts do not reveal how extensively French is used throughout.
Readers approaching Under Two Flags should attend to how Ouida uses material objects—boots, chessmen, pistols—to encode character and social position. The novel's reputation as a romance may overshadow its detailed engagement with military culture and class dynamics. The excerpts suggest a work that is as much about the performance of identity through dress and manners as about love or adventure. Pay particular attention to shifts in narrative voice, which signal the novel's movement between English and Algerian settings, and between comic, dramatic, and sentimental registers.
That whole world of uniformed honor and hidden longing stayed with me long after, and it made me think of another story where a woman’s sharp wit masks something softer underneath. Diana of the Crossways — Volume 2 — Inside the Classic has that same quiet ache between the lines, the way certain novels linger like a familiar scent on an old coat.
Ella Thompson
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